Sylvia Grace Borda | Artist Website
  • Mise en Scene
    • Mise en Scene
  • Farm Work
  • Farm Tableaux - Google Street View
  • Aerial Fields
  • Cameras and Watercolour Sunsets
    • Cameras and Watercolour Sunsets 2020
    • Cameras and Watercolour Sunsets 2017-19
    • Cameras and Watercolour Sunsets 2013-14
    • Cameras and Watercolour Sunsets 2010-12
  • Interrogations of a Camera
  • This is not a camera
  • Impressions
  • Seeing Technologies
  • Northern Ireland
    • Coming to the Table
    • Orchards
  • Kissing Project
  • Past Projects
    • Public Art Commission: Number 4 Pump Station
    • Community Engagement: Seeing Across Boundaries
    • Public Art Commission: Cuneo Camera Obscura
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    • Aura
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    • This is not a camera
  • re-COLLECT-ing
  • EK Modernism
    • EK Modernism series
    • Project legacies
    • Canada series
  • A Holiday in Glenrothes
  • Every Bus Stop in Surrey, BC
  • This one's for the farmer
  • Social engagement
  • Lumsden Biscuit
    • Social Enterprise
    • Edible photograph
  • What are you doing Richmond
  • Snow Cameras
  • Hunting Cameras
  • Architecture
  • Digital Art
  • Shifting Perspectives Book
  • Mise en Scene
    • Mise en Scene
  • Farm Work
  • Farm Tableaux - Google Street View
  • Aerial Fields
  • Cameras and Watercolour Sunsets
    • Cameras and Watercolour Sunsets 2020
    • Cameras and Watercolour Sunsets 2017-19
    • Cameras and Watercolour Sunsets 2013-14
    • Cameras and Watercolour Sunsets 2010-12
  • Interrogations of a Camera
  • This is not a camera
  • Impressions
  • Seeing Technologies
  • Northern Ireland
    • Coming to the Table
    • Orchards
  • Kissing Project
  • Past Projects
    • Public Art Commission: Number 4 Pump Station
    • Community Engagement: Seeing Across Boundaries
    • Public Art Commission: Cuneo Camera Obscura
  • Artist Bio
    • Artist Bio
    • Teaching Practice
    • Public Speaking
    • Request a lecture
    • Purchasing Art
  • Exhibition History
    • Exhibition History
    • Reviews
  • Contact
  • News
  • Camera Histories
  • Momento Mori
  • Stereoworks
    • Two if not Three
    • Aura
    • Viewpoints
    • This is not a camera
  • re-COLLECT-ing
  • EK Modernism
    • EK Modernism series
    • Project legacies
    • Canada series
  • A Holiday in Glenrothes
  • Every Bus Stop in Surrey, BC
  • This one's for the farmer
  • Social engagement
  • Lumsden Biscuit
    • Social Enterprise
    • Edible photograph
  • What are you doing Richmond
  • Snow Cameras
  • Hunting Cameras
  • Architecture
  • Digital Art
  • Shifting Perspectives Book
SNOW CAMERAS
2016-2017
each camera viewing station approx 2m high x 3m wide
 In Hyrynsalmi, Finland, Sylvia Grace Borda collaborated with Scottish sculptor, J.Keith Donnelly, to create a set of ephemeral cameras each made from snow and ice.

Each structure incorporated both a lens and movable screen that was transformed into a camera obscura. The camera obscura has been used since antiquity as a way to project images of the natural environment onto a screen for observation and recording.

Playful and disarming, the snow cameras provided passersby at Mustarinda a means to enter a transitory space to contemplate projected images, which were changeable depending on the intensity of the daylight or temperature. 

The artists’ work became reflectors questioning environmental change and the image’s transience. This notion came to sharp realization as the camera structures started to collapse as they could only be sustained in temperatures under 5 degrees C.
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In this way the snow cameras further act as markers in an Anthropocene context and at a time when localised climates are shifting. Mustarinda, for example, has been known to have lingering snow until early June, but this is altering with more unsettled precipitation during the springtime. During the installation of the snow cameras over the month there was on-going uncertainty as to how much longer they would remain.

In this way the snow cameras acted as a type of memento mori illustrating their change and decay as processes and as tools for wider discourse about art and ecologies.

Sylvia Grace Borda and J.Keith Donnelly hope to build a new iteration of snow cameras at Mustarinda next Winter with lenses and viewing screens made of ice, thereby, creating a camera completely produced from natural resources. Such a venture will be a first of its kind.

Read more about Sylvia's thoughts about photography and its relationship to the grid. For the artists the ability to produce a set of images directly from nature was a significant aspect to the development of Snow Cameras. 

The artists are grateful for project support from Mustarinda Arts Society & Frontiers in Retreat (EU Arts Funding)
​
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Sylvia Grace Borda presented the 'Snow Cameras' as part of Vancouver's Capture Photography Festival, 2016.

This series has been further reviewed as part of the 'Shifting Perspectives' catalogue co-produced by the Surrey Art Gallery and Heritage House Publishing (2020) see 
www.surrey.ca/arts-culture/surrey-art-gallery/gallery-publications/exhibition-catalogues/shifting-perspectives
  • Mise en Scene
    • Mise en Scene
  • Farm Work
  • Farm Tableaux - Google Street View
  • Aerial Fields
  • Cameras and Watercolour Sunsets
    • Cameras and Watercolour Sunsets 2020
    • Cameras and Watercolour Sunsets 2017-19
    • Cameras and Watercolour Sunsets 2013-14
    • Cameras and Watercolour Sunsets 2010-12
  • Interrogations of a Camera
  • This is not a camera
  • Impressions
  • Seeing Technologies
  • Northern Ireland
    • Coming to the Table
    • Orchards
  • Kissing Project
  • Past Projects
    • Public Art Commission: Number 4 Pump Station
    • Community Engagement: Seeing Across Boundaries
    • Public Art Commission: Cuneo Camera Obscura
  • Artist Bio
    • Artist Bio
    • Teaching Practice
    • Public Speaking
    • Request a lecture
    • Purchasing Art
  • Exhibition History
    • Exhibition History
    • Reviews
  • Contact
  • News
  • Camera Histories
  • Momento Mori
  • Stereoworks
    • Two if not Three
    • Aura
    • Viewpoints
    • This is not a camera
  • re-COLLECT-ing
  • EK Modernism
    • EK Modernism series
    • Project legacies
    • Canada series
  • A Holiday in Glenrothes
  • Every Bus Stop in Surrey, BC
  • This one's for the farmer
  • Social engagement
  • Lumsden Biscuit
    • Social Enterprise
    • Edible photograph
  • What are you doing Richmond
  • Snow Cameras
  • Hunting Cameras
  • Architecture
  • Digital Art
  • Shifting Perspectives Book