Sylvia Grace Borda | Artist Website
  • Living Artworks
  • Vancouver Fruit Histories and Communities Book
  • Climate Money
  • Internet of Nature
  • Shifting Perspectives Book
  • Digital Art
  • What are you doing Richmond
  • Kissing Project
  • Mise en Scene
  • Farm Tableaux - Google Street View
  • Farm Work
  • Aerial Fields
  • Lumsden Biscuit
    • Social Enterprise
    • Edible photograph
  • Camera Histories
  • Cameras and Watercolour Sunsets
    • Cameras and Watercolour Sunsets 2019- present
    • Cameras and Watercolour Sunsets 2017-19
    • Cameras and Watercolour Sunsets 2013-14
    • Cameras and Watercolour Sunsets 2010-12
  • Interrogations of a Camera
  • This is not a camera
  • Impressions
  • Seeing Technologies
  • Northern Ireland
    • Coming to the Table
    • Orchards
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    • House as Social Agent
    • Generous Architecture
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    • Community Engagement
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  • Snow Cameras
  • Hunting Cameras
  • This one's for the farmer
  • Momento Mori
  • Stereoworks
    • Two if not Three
    • Aura
    • Viewpoints
    • This is not a camera
  • Cuneo Camera Obscura
  • Public Art Commission: Number 4 Pump Station
  • re-COLLECT-ing
  • A Holiday in Glenrothes
  • EK Modernism
    • EK Modernism
    • Project legacies
    • Canada series
  • Every Bus Stop in Surrey, BC
  • Living Artworks
  • Vancouver Fruit Histories and Communities Book
  • Climate Money
  • Internet of Nature
  • Shifting Perspectives Book
  • Digital Art
  • What are you doing Richmond
  • Kissing Project
  • Mise en Scene
  • Farm Tableaux - Google Street View
  • Farm Work
  • Aerial Fields
  • Lumsden Biscuit
    • Social Enterprise
    • Edible photograph
  • Camera Histories
  • Cameras and Watercolour Sunsets
    • Cameras and Watercolour Sunsets 2019- present
    • Cameras and Watercolour Sunsets 2017-19
    • Cameras and Watercolour Sunsets 2013-14
    • Cameras and Watercolour Sunsets 2010-12
  • Interrogations of a Camera
  • This is not a camera
  • Impressions
  • Seeing Technologies
  • Northern Ireland
    • Coming to the Table
    • Orchards
  • Artist Bio
    • Artist Bio
    • Teaching Practice
      • Example Student Project
    • Public Speaking
    • Request a lecture
    • Purchasing Art
  • Exhibition History
    • Exhibition History
    • Reviews
  • Contact
  • News
  • Architecture
    • Architecture
    • Preplanning design
    • House as Social Agent
    • Generous Architecture
  • Community Engagement
    • Community Engagement
    • Example Project
  • Snow Cameras
  • Hunting Cameras
  • This one's for the farmer
  • Momento Mori
  • Stereoworks
    • Two if not Three
    • Aura
    • Viewpoints
    • This is not a camera
  • Cuneo Camera Obscura
  • Public Art Commission: Number 4 Pump Station
  • re-COLLECT-ing
  • A Holiday in Glenrothes
  • EK Modernism
    • EK Modernism
    • Project legacies
    • Canada series
  • Every Bus Stop in Surrey, BC
FARM WORK
2 channel video presentation comprised of 40 vignettes (48min)
Surrey Art Gallery Arts Commission with support from New Media BC
2013

The lack of visibility of farming practices and equally a lack of contemporary debate about the placement of farming in the arts, puts it in a category of disregard.

For this series, Sylvia spent nearly 6 months following farmers in Surrey, BC, Canada as they prepared, planted, tended, and harvested their crops through a Spring, Summer, and Autumn growing cycle.

Her multiple camera views of farmers at work, their crops and animals in the landscape highlight contradictions in which her images create on one hand an aesthetic appreciation of the subjects at work and, on the other, illustrate the hard reality of farm labour. 

By filming farm tasks in real time, Sylvia appropriates concepts in art film to reveal a type of life and vitality not often exposed to public view. Her works open up and question the objectified and dated 19th Century paintings of farmers and farms illustrating them as places that deserve closer examination beyond those of Victorian romanticism.

Farm work is related to two other artistic endeavours by Sylvia focusing on agriculture - these include Farm Tableaux: Surrey, BC and Mise en Scene: Farm Tableaux Finland.



Picture
Farm work was projected to IMAX scale as part of the exhibition
"This one's for the Farmer" presented at Surrey Urban Screen, Chuck Baily Recreation Centre and the Surrey Art Gallery (September 23, 2013 - January 23, 2014)
 Working in Surrey, BC

Sylvia acknowledges as an artist working in the City of Surrey, she has photographed and worked on the unceded territories and traditional territories of the Coast Salish peoples, Semiahmoo, Katzie, Kwikwetlem, Kwantlen, Qayqayt and Tsawwassen First Nations, and she pays respect to the Elders, past and present, and to future generations.


Project reviews

2020
A critical discussion about the artist's development of Farm Work is included in the book, Shifting Perspectives, co-published by Surrey Art Gallery and Heritage House Publishers (Canada) see www.surrey.ca/arts-culture/surrey-art-gallery/gallery-publications/exhibition-catalogues/shifting-perspectives

2013
Grgar, Sonja. “The grass is not greener on the other side: Surrey exhibition highlights the importance of local agriculture”
in The Source  | Vol 13 – No 30 | October 8 – October 22, 2013

http://thelasource.com/en/2013/10/07/the-grass-is-not-greener-on-the-other-side-surrey-exhibition-highlights-the-importance-of-local-agriculture/

Hunter, Dorothy. " This one's for the Farmer' e-catalogue, Surrey Art Gallery, BC, Canada. 2013

Laurence, Robin. Fall arts preview: Sylvia Grace Borda finds art in farms and sequins” in the Georgia Straight Newspaper, Vancouver, September 11 -18, 2013.
http://www.straight.com/arts/421776/fall-arts-preview-sylvia-grace-borda-finds-art-farms-and-sequins


  • Living Artworks
  • Vancouver Fruit Histories and Communities Book
  • Climate Money
  • Internet of Nature
  • Shifting Perspectives Book
  • Digital Art
  • What are you doing Richmond
  • Kissing Project
  • Mise en Scene
  • Farm Tableaux - Google Street View
  • Farm Work
  • Aerial Fields
  • Lumsden Biscuit
    • Social Enterprise
    • Edible photograph
  • Camera Histories
  • Cameras and Watercolour Sunsets
    • Cameras and Watercolour Sunsets 2019- present
    • Cameras and Watercolour Sunsets 2017-19
    • Cameras and Watercolour Sunsets 2013-14
    • Cameras and Watercolour Sunsets 2010-12
  • Interrogations of a Camera
  • This is not a camera
  • Impressions
  • Seeing Technologies
  • Northern Ireland
    • Coming to the Table
    • Orchards
  • Artist Bio
    • Artist Bio
    • Teaching Practice
      • Example Student Project
    • Public Speaking
    • Request a lecture
    • Purchasing Art
  • Exhibition History
    • Exhibition History
    • Reviews
  • Contact
  • News
  • Architecture
    • Architecture
    • Preplanning design
    • House as Social Agent
    • Generous Architecture
  • Community Engagement
    • Community Engagement
    • Example Project
  • Snow Cameras
  • Hunting Cameras
  • This one's for the farmer
  • Momento Mori
  • Stereoworks
    • Two if not Three
    • Aura
    • Viewpoints
    • This is not a camera
  • Cuneo Camera Obscura
  • Public Art Commission: Number 4 Pump Station
  • re-COLLECT-ing
  • A Holiday in Glenrothes
  • EK Modernism
    • EK Modernism
    • Project legacies
    • Canada series
  • Every Bus Stop in Surrey, BC