Sylvia Grace Borda | Artist Website
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    • Cameras and Watercolour Sunsets 2019- present
    • Cameras and Watercolour Sunsets 2017-19
    • Cameras and Watercolour Sunsets 2013-14
    • Cameras and Watercolour Sunsets 2010-12
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  • Living Artworks
  • Vancouver Fruit Histories and Communities Book
  • Climate Money
  • Internet of Nature
  • Shifting Perspectives Book
  • Digital Art
  • What are you doing Richmond
  • Kissing Project
  • Mise en Scene
  • Farm Tableaux - Google Street View
  • Farm Work
  • Aerial Fields
  • Lumsden Biscuit
    • Social Enterprise
    • Edible photograph
  • Camera Histories
  • Cameras and Watercolour Sunsets
    • Cameras and Watercolour Sunsets 2019- present
    • Cameras and Watercolour Sunsets 2017-19
    • Cameras and Watercolour Sunsets 2013-14
    • Cameras and Watercolour Sunsets 2010-12
  • Interrogations of a Camera
  • This is not a camera
  • Impressions
  • Seeing Technologies
  • Northern Ireland
    • Coming to the Table
    • Orchards
  • Artist Bio
    • Artist Bio
    • Teaching Practice
      • Example Student Project
    • Public Speaking
    • Request a lecture
    • Purchasing Art
  • Exhibition History
    • Exhibition History
    • Reviews
  • Contact
  • News
  • Architecture
    • Architecture
    • Preplanning design
    • House as Social Agent
    • Generous Architecture
  • Community Engagement
    • Community Engagement
    • Example Project
  • Snow Cameras
  • Hunting Cameras
  • This one's for the farmer
  • Momento Mori
  • Stereoworks
    • Two if not Three
    • Aura
    • Viewpoints
    • This is not a camera
  • Cuneo Camera Obscura
  • Public Art Commission: Number 4 Pump Station
  • re-COLLECT-ing
  • A Holiday in Glenrothes
  • EK Modernism
    • EK Modernism
    • Project legacies
    • Canada series
  • Every Bus Stop in Surrey, BC
Cameras and Watercolour Sunsets
Digital ready-made, edition 1, 1AP
2010 = present



 2017 - 19 | Print output: C-41 digital photographs | 50 prints; Scale: 15cm x 20cm | Edition size: 1
Of note, Sylvia prefers to refer to her completed artworks from this series as 'digital ready-mades'


Cameras and Watercolour Sunsets is an on-going series in which a camera is placed on the horizon of each watercolour ground. The cameras' lenses hover in place of the sun in these digitally constructed montages.

Like Magritte’s Ceci n'est pas une pipe this series offers the viewer a set of contradictions to negotiate in order to understand the work. The cameras and watercolour paintings are referenced by name in the title but by medium are reproductions, which do not "satisfy emotionally” the actual objects and/or depicted events.

Sylvia's artworks in this series are constructed from amateur photographs of cameras and watercolour paintings found from online auction websites.  As digital constructs from found web photographs, the series also collapses time, media, and locations together. The series draws on the metaphoric notion that sunsets can also allude to 'an end.' Indeed the juxtaposition of the analog cameras depicted with the sunsets references the slow change over to digital recording techniques and the end to the days wherein film cameras were favoured by amateur photographers. 


REVIEWS

2018 
Borda, Sylvia Grace. “Locating the Camera” in Photographies, Taylor and Francis Publishers, London, UK vol 11, 2018 ISSN: 1754-0771 

2016
Travis, Rebecca.  "The only thing that’s changed is everything" feature article in the 2016 Summer edition of Scottish Society for the History of Photography  https://web.archive.org/web/20180902212635/http://sshop.org.uk/project/rebecca-travis/

2014
Travis, Rebecca. “Sylvia Grace Borda: Camera Histories” in Reviews: Photomonitor, UK. January 27, 2014

https://photomonitor.co.uk/exhibition/sylvia-grace-borda-camera-histories/

“Art in Scotland TV channel feature: Sylvia Grace Borda Camera Histories – Artist interview” produced by Summerhall TV, Dec 29, 2013 http://www.artinscotland.tv/2013/sylvia-grace-borda-camera-histories/

Artist video interview (December 5, 2013) with Christiane Monarchi, editor of PhotoMonitor Magazine about 'Cameras and Watercolour sunset' series and other works presented in the exhibition 'Camera Histories' presented at Street Level Photoworks Gallery, Glasgow, Scotland (November 23, 2013 - February 2, 2014).
https://www.youtube.com/watch?v=6jo7lxuQ-KU
 


  • Living Artworks
  • Vancouver Fruit Histories and Communities Book
  • Climate Money
  • Internet of Nature
  • Shifting Perspectives Book
  • Digital Art
  • What are you doing Richmond
  • Kissing Project
  • Mise en Scene
  • Farm Tableaux - Google Street View
  • Farm Work
  • Aerial Fields
  • Lumsden Biscuit
    • Social Enterprise
    • Edible photograph
  • Camera Histories
  • Cameras and Watercolour Sunsets
    • Cameras and Watercolour Sunsets 2019- present
    • Cameras and Watercolour Sunsets 2017-19
    • Cameras and Watercolour Sunsets 2013-14
    • Cameras and Watercolour Sunsets 2010-12
  • Interrogations of a Camera
  • This is not a camera
  • Impressions
  • Seeing Technologies
  • Northern Ireland
    • Coming to the Table
    • Orchards
  • Artist Bio
    • Artist Bio
    • Teaching Practice
      • Example Student Project
    • Public Speaking
    • Request a lecture
    • Purchasing Art
  • Exhibition History
    • Exhibition History
    • Reviews
  • Contact
  • News
  • Architecture
    • Architecture
    • Preplanning design
    • House as Social Agent
    • Generous Architecture
  • Community Engagement
    • Community Engagement
    • Example Project
  • Snow Cameras
  • Hunting Cameras
  • This one's for the farmer
  • Momento Mori
  • Stereoworks
    • Two if not Three
    • Aura
    • Viewpoints
    • This is not a camera
  • Cuneo Camera Obscura
  • Public Art Commission: Number 4 Pump Station
  • re-COLLECT-ing
  • A Holiday in Glenrothes
  • EK Modernism
    • EK Modernism
    • Project legacies
    • Canada series
  • Every Bus Stop in Surrey, BC