Sylvia Grace Borda | Artist Website
  • Mise en Scene
    • Mise en Scene
  • Farm Work
  • Farm Tableaux - Google Street View
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    • Cameras and Watercolour Sunsets 2020-21
    • Cameras and Watercolour Sunsets 2017-19
    • Cameras and Watercolour Sunsets 2013-14
    • Cameras and Watercolour Sunsets 2010-12
  • Interrogations of a Camera
  • This is not a camera
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    • Coming to the Table
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    • Public Art Commission: Number 4 Pump Station
    • Community Engagement: Seeing Across Boundaries
    • Public Art Commission: Cuneo Camera Obscura
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  • re-COLLECT-ing
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    • EK Modernism series
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  • A Holiday in Glenrothes
  • Every Bus Stop in Surrey, BC
  • This one's for the farmer
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    • Architecture
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    • House as Social Agent
    • Generous Architecture
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  • Mise en Scene
    • Mise en Scene
  • Farm Work
  • Farm Tableaux - Google Street View
  • Aerial Fields
  • Cameras and Watercolour Sunsets
    • Cameras and Watercolour Sunsets 2020-21
    • Cameras and Watercolour Sunsets 2017-19
    • Cameras and Watercolour Sunsets 2013-14
    • Cameras and Watercolour Sunsets 2010-12
  • Interrogations of a Camera
  • This is not a camera
  • Impressions
  • Seeing Technologies
  • Northern Ireland
    • Coming to the Table
    • Orchards
  • Kissing Project
  • Past Projects
    • Public Art Commission: Number 4 Pump Station
    • Community Engagement: Seeing Across Boundaries
    • Public Art Commission: Cuneo Camera Obscura
  • Artist Bio
    • Artist Bio
    • Teaching Practice
    • Public Speaking
    • Request a lecture
    • Purchasing Art
  • Exhibition History
    • Exhibition History
    • Reviews
  • Contact
  • News
  • Camera Histories
  • Momento Mori
  • Stereoworks
    • Two if not Three
    • Aura
    • Viewpoints
    • This is not a camera
  • re-COLLECT-ing
  • EK Modernism
    • EK Modernism series
    • Project legacies
    • Canada series
  • A Holiday in Glenrothes
  • Every Bus Stop in Surrey, BC
  • This one's for the farmer
  • Social engagement
  • Lumsden Biscuit
    • Social Enterprise
    • Edible photograph
  • What are you doing Richmond
  • Snow Cameras
  • Hunting Cameras
  • Architecture
    • Architecture
    • Preplanning design
    • House as Social Agent
    • Generous Architecture
  • Digital Art
  • Shifting Perspectives Book
Stereoviews: Two points of perspective if not Three makes direct reference to the two points of perspective required to produce a stereo image. In this series, Borda has captured still photographic images of farming crops across seasonal timeframes from when crops are planted to when they are ready for harvest.

Borda’s interest in stereo photography, also known as stereoscopy is the process of presenting two offset images separately to the left and right eye of the viewer, thus enabling two-dimensional images to have dimensional depth when seen through a stereoviewer. This 19th C photographic technique allows the observer to have an increased sense of information about the 3-dimensional objects being displayed.

Victorian stereoscopic imagery was closely aligned with ideas of opening a dimensional world of places for viewers to explore first-hand through the photographic image. In Stereoviews: Two points of perspective if not Three  Borda has used analog stereo-film techniques to create a viable medium for her work. The stereo process used by Borda metaphorically and virtually allows the viewers to experience farming subjects in close intimacy and dimensional detail. Since farms are often closed enterprises in which the public has limited familiarity with the seasonal and labour cycles. This series highlights some of the overlooked details associated with cultivation practices and farm management. Stereoviews also plays subtly on the fact that Borda has selected her stereoview images to reside both as diptychs and as 3-D works.  By working unconventionally both with medium and subject, viewers are given an opportunity to question the place of 3D in art and in the wider definition of contemporary art. 
Stereoview photographs | C-41


  • Mise en Scene
    • Mise en Scene
  • Farm Work
  • Farm Tableaux - Google Street View
  • Aerial Fields
  • Cameras and Watercolour Sunsets
    • Cameras and Watercolour Sunsets 2020-21
    • Cameras and Watercolour Sunsets 2017-19
    • Cameras and Watercolour Sunsets 2013-14
    • Cameras and Watercolour Sunsets 2010-12
  • Interrogations of a Camera
  • This is not a camera
  • Impressions
  • Seeing Technologies
  • Northern Ireland
    • Coming to the Table
    • Orchards
  • Kissing Project
  • Past Projects
    • Public Art Commission: Number 4 Pump Station
    • Community Engagement: Seeing Across Boundaries
    • Public Art Commission: Cuneo Camera Obscura
  • Artist Bio
    • Artist Bio
    • Teaching Practice
    • Public Speaking
    • Request a lecture
    • Purchasing Art
  • Exhibition History
    • Exhibition History
    • Reviews
  • Contact
  • News
  • Camera Histories
  • Momento Mori
  • Stereoworks
    • Two if not Three
    • Aura
    • Viewpoints
    • This is not a camera
  • re-COLLECT-ing
  • EK Modernism
    • EK Modernism series
    • Project legacies
    • Canada series
  • A Holiday in Glenrothes
  • Every Bus Stop in Surrey, BC
  • This one's for the farmer
  • Social engagement
  • Lumsden Biscuit
    • Social Enterprise
    • Edible photograph
  • What are you doing Richmond
  • Snow Cameras
  • Hunting Cameras
  • Architecture
    • Architecture
    • Preplanning design
    • House as Social Agent
    • Generous Architecture
  • Digital Art
  • Shifting Perspectives Book