Sylvia Grace Borda | Artist Website
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    • Cameras and Watercolour Sunsets 2020-21
    • Cameras and Watercolour Sunsets 2017-19
    • Cameras and Watercolour Sunsets 2013-14
    • Cameras and Watercolour Sunsets 2010-12
  • Interrogations of a Camera
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    • Coming to the Table
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    • Public Art Commission: Number 4 Pump Station
    • Community Engagement: Seeing Across Boundaries
    • Public Art Commission: Cuneo Camera Obscura
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  • EK Modernism
    • EK Modernism series
    • Project legacies
    • Canada series
  • A Holiday in Glenrothes
  • Every Bus Stop in Surrey, BC
  • This one's for the farmer
  • Social engagement
  • Lumsden Biscuit
    • Social Enterprise
    • Edible photograph
  • What are you doing Richmond
  • Snow Cameras
  • Hunting Cameras
  • Architecture
    • Architecture
    • Preplanning design
    • House as Social Agent
    • Generous Architecture
  • Digital Art
  • Shifting Perspectives Book
  • Mise en Scene
    • Mise en Scene
  • Farm Work
  • Farm Tableaux - Google Street View
  • Aerial Fields
  • Cameras and Watercolour Sunsets
    • Cameras and Watercolour Sunsets 2020-21
    • Cameras and Watercolour Sunsets 2017-19
    • Cameras and Watercolour Sunsets 2013-14
    • Cameras and Watercolour Sunsets 2010-12
  • Interrogations of a Camera
  • This is not a camera
  • Impressions
  • Seeing Technologies
  • Northern Ireland
    • Coming to the Table
    • Orchards
  • Kissing Project
  • Past Projects
    • Public Art Commission: Number 4 Pump Station
    • Community Engagement: Seeing Across Boundaries
    • Public Art Commission: Cuneo Camera Obscura
  • Artist Bio
    • Artist Bio
    • Teaching Practice
    • Public Speaking
    • Request a lecture
    • Purchasing Art
  • Exhibition History
    • Exhibition History
    • Reviews
  • Contact
  • News
  • Camera Histories
  • Momento Mori
  • Stereoworks
    • Two if not Three
    • Aura
    • Viewpoints
    • This is not a camera
  • re-COLLECT-ing
  • EK Modernism
    • EK Modernism series
    • Project legacies
    • Canada series
  • A Holiday in Glenrothes
  • Every Bus Stop in Surrey, BC
  • This one's for the farmer
  • Social engagement
  • Lumsden Biscuit
    • Social Enterprise
    • Edible photograph
  • What are you doing Richmond
  • Snow Cameras
  • Hunting Cameras
  • Architecture
    • Architecture
    • Preplanning design
    • House as Social Agent
    • Generous Architecture
  • Digital Art
  • Shifting Perspectives Book
re-COLLECT-ing is a suite of images recording incidental compositions found when visiting a set of historical teaching collections. Each work has been composed in a way that entices the viewer to question its existence.

The artist is interested in the juxtapositions of collections materials and their representations is not simply as illustrations but in a translational sense. In her work
Sylvia is creating an imagined or ‘interrupted’ alternative of how these objects might reside together. This interrelationship or visual coexistence extends the parameters of interpretation and most importantly allows for new artistic expression to intervene. 
C-41 prints | 2008

These photographs represent a culmination of an intense working period as a visiting artist-lecturer at Queen’s University Belfast between 2007-08. There is no denying the historic value or interest inherent to the collections themselves; they are for the artist as diverse as the academic departments that house them. The opportunity for Sylvia to have referenced these collections first hand as part of Queen's University centenary celebrations provided a unique vehicle from which to respond.

Citation:

Project development cited in ‘re-COLLLECT-ing- An exhibition showcasing visual and textual responses to Queen’s University teaching and research collections.' Publisher: Naughton Gallery at Queen’s; ISBN 9780853899341; pp 56, 2008.

  • Mise en Scene
    • Mise en Scene
  • Farm Work
  • Farm Tableaux - Google Street View
  • Aerial Fields
  • Cameras and Watercolour Sunsets
    • Cameras and Watercolour Sunsets 2020-21
    • Cameras and Watercolour Sunsets 2017-19
    • Cameras and Watercolour Sunsets 2013-14
    • Cameras and Watercolour Sunsets 2010-12
  • Interrogations of a Camera
  • This is not a camera
  • Impressions
  • Seeing Technologies
  • Northern Ireland
    • Coming to the Table
    • Orchards
  • Kissing Project
  • Past Projects
    • Public Art Commission: Number 4 Pump Station
    • Community Engagement: Seeing Across Boundaries
    • Public Art Commission: Cuneo Camera Obscura
  • Artist Bio
    • Artist Bio
    • Teaching Practice
    • Public Speaking
    • Request a lecture
    • Purchasing Art
  • Exhibition History
    • Exhibition History
    • Reviews
  • Contact
  • News
  • Camera Histories
  • Momento Mori
  • Stereoworks
    • Two if not Three
    • Aura
    • Viewpoints
    • This is not a camera
  • re-COLLECT-ing
  • EK Modernism
    • EK Modernism series
    • Project legacies
    • Canada series
  • A Holiday in Glenrothes
  • Every Bus Stop in Surrey, BC
  • This one's for the farmer
  • Social engagement
  • Lumsden Biscuit
    • Social Enterprise
    • Edible photograph
  • What are you doing Richmond
  • Snow Cameras
  • Hunting Cameras
  • Architecture
    • Architecture
    • Preplanning design
    • House as Social Agent
    • Generous Architecture
  • Digital Art
  • Shifting Perspectives Book